Jonathan Gottschall has argued that the only way to rescue literary criticism from marginalization and irrelevance is to put it on a solid scientific basis - which would involve the relentless application of statistics to all sorts of problems. The tag line for his article in the "Ideas" section of Boston Globe ("Measure for Measure") reads: "Literary criticism could be one of our best tools for understanding the human condition. But first, it needs a radical change: embracing science." Hm - what would be a simple hypothesis regarding the "human condition" which Gottschall could test using his favorite tools? How about: "God is dead"?
Towards the end of his essay Gottschall says: "The great wall dividing the two cultures of the sciences and humanities has no substance. We can walk right through it." Indeed - this is how things must look if you think all reality can be reduced to mechanical interactions, and equations reflecting those interactions. In "The Matrix," Cypher watches those greenish ones and zeros flowing down the computer screen and says that he can sees human beings behind them. With nerds, it's the other way around - they look at people, and all they can see is numbers.
When C. P. Snow wrote "The Two Cultures," his analysis had a clear class angle. The literature/humanities circles he criticized for their lack of scientific understanding came mostly from Britain's top "public" (that is, private) boarding schools and old universities. Hence, they were very much part of the traditional elite. Most of the scientists, on the other hand, were of lower-middle or even working class origins and came mostly from the new polytechnics. Fast-forward half a century, and the picture is quite different - nerds have taken over most of the commanding heights in society and the economy. There are still a few minor bastions of metaphorical thinking (for example, some sectors of literary criticism and some other fuzzy areas), but their days seem numbered. I bet Gottschall could easily calculate their rate of attrition.